Bloc Party-“Silent Alarm”
(Vice)
(Vice)
6 out of 10
Photo links to Bloc Party's website and was nicked off Artist Direct
Bloc Party seem to have come from out of nowhere. They get signed to the tiny label Vice Records, the same people who have launched excellent acts somehow overlooked by the American mainstream such as The Stills, The Streets, and Death From Above 1979 to name a few, get some hype from the U.K. press; and all the sudden they’re getting airplay on MTV’s popular “10 Spot” lineup, being written about in newspapers, and their lead singer’s collaborating with the Chemical Brothers. Usually the reason for these sudden overnight successes is that their debut albums are groundbreaking, as is the case with the Arcade Fire. But somehow this outburst of press still remains a mystery to me, maybe because Bloc Party’s debut album is nothing special.
Yes, the two singles that have received airplay on our shores, “Banquet” and “So Here We Are” are superb, “Banquet” being an absolutely catchy dance rock smash hit, and “So Here We Are” an ambient stargazer song that seems to rise from the ground and lead your way from the dregs of a dark forest to all the way back home.
And there are some great album tracks here too. “Positive Tension” includes vocalist Kele Okereke yelping in a distinct English accent, sounding amusingly like the vocal spawn of Damon Albarn and Justine Frischmann. The album’s opener, “Like Eating Glass”, is a surging letter to a departed love that seems to end in self-destruction. These tunes are spiffy, yes, but those are four tracks, and there are fourteen on this disc.
So what exactly kills this album? Luckily, it’s hard to pinpoint any one single bad point in the disc. It’s the whole effort in itself that creates an empty feeling inside. Usually, good albums have a tone or a series of tones that really dig at the caucles of your heart. The only tone throughout this whole album is a tone of smug, cold nothingness. This tone makes the album very boring and an unappealing candidate for multiple listens. Great, guys, you can play your instruments. Now try doing it like you have a reason to.
The best thing Bloc Party can do from here on out is have a little more fun with their music. Their sound is seriously capable of making me want to dance, like it did on “Banquet”. The kamikaze riffs and hyperactive drums say “Get up out of your seat!”, but when these four Brits start to slow down and stare at their Converses, I can do nothing more than sit back down. Bloc Party can confuse me in trying to choose the position in which to listen to their music all they want, but I can’t really say I’m a fan until I can effectively choose a mood to match these empty post-punk melodies.
Yes, the two singles that have received airplay on our shores, “Banquet” and “So Here We Are” are superb, “Banquet” being an absolutely catchy dance rock smash hit, and “So Here We Are” an ambient stargazer song that seems to rise from the ground and lead your way from the dregs of a dark forest to all the way back home.
And there are some great album tracks here too. “Positive Tension” includes vocalist Kele Okereke yelping in a distinct English accent, sounding amusingly like the vocal spawn of Damon Albarn and Justine Frischmann. The album’s opener, “Like Eating Glass”, is a surging letter to a departed love that seems to end in self-destruction. These tunes are spiffy, yes, but those are four tracks, and there are fourteen on this disc.
So what exactly kills this album? Luckily, it’s hard to pinpoint any one single bad point in the disc. It’s the whole effort in itself that creates an empty feeling inside. Usually, good albums have a tone or a series of tones that really dig at the caucles of your heart. The only tone throughout this whole album is a tone of smug, cold nothingness. This tone makes the album very boring and an unappealing candidate for multiple listens. Great, guys, you can play your instruments. Now try doing it like you have a reason to.
The best thing Bloc Party can do from here on out is have a little more fun with their music. Their sound is seriously capable of making me want to dance, like it did on “Banquet”. The kamikaze riffs and hyperactive drums say “Get up out of your seat!”, but when these four Brits start to slow down and stare at their Converses, I can do nothing more than sit back down. Bloc Party can confuse me in trying to choose the position in which to listen to their music all they want, but I can’t really say I’m a fan until I can effectively choose a mood to match these empty post-punk melodies.
Key Tracks: "Banquet", "Positive Tension", "So Here We Are"